Submissions from 2015
Venecuba: An Analysis of Cuban Influence in Venezuela and its Support for the Bolívarian Revolution, James A. Cohrs
In Defense of the Spratly Islands: The Philippines' Bilateral Defense Policy against a Looming China, Eric S. Cruz
Dostoevsky's Polyphonic Apologetic: Dialogue and Defense of Christianity in The Brothers Karamazov, Tyler C. Detrick
Collaboration Is Key: A Study on the Religious Identity of Catholic and Southern Baptist Hospitals, Benjamin German
ISIS: Trends in Terrorist Media and Propaganda, Kyle J. Greene
A Study of Civil War Leadership: Gettysburg as a Turning Point, Joseph Griffith
Give My Regards to the Book, Kevin A. Hicks
I Am With You: The Red Hot Chili Peppers, The Fans, and the Harmful Effects of Californication, Alexander MacPhail-Fausey
Completing the Construction: Art as Therapy in Ned Vizzini's It's Kind of A Funny Story, Catherine L. McClain
“Shining” with the Marginalized: Self-Reflection and Empathy in Stanley Kubrick’s The Shining, Bethany Miller
'We Need Some Light': Seeing Identities After Grief in Next to Normal, Kathy S. Roberts
New START from Old Beginnings?, Michaela Ruhlmann
President Kennedy and the Escalation of the Vietnam War, Kenneth L. Sterner
“Do Not Ask Me to Remain the Same”: Charles Darwin in Lizzie Bright and the Buckminster Boy, Rachael D. Tague
The Double-Sided Message of The Lego Movie: The Effects of Popular Entertainment on Children in Consumer Culture, Jordan Treece
webster ('web-stər) n. one who weaves or unites, Taylor P. Wilcox
Central Government and Secession, Tyler Zuch
Submissions from 2014
The Effects of an Exercise Program on Cardiovascular Risk Factors at a Faith Based University, Annisa R. Albury; Jacob D. Forsythe; and Greggory M, Thorpe
Learning to Play: Cognitive and Physical Development of Children and Requirements of Playing the Piano, Amy Carmichael
He Started the Whole World Singing a Song, Brian R. Cates
“An Obscene Power”: Desire, Capitalism, and Identity in Geraldine Brooks’ March, Rachel Dark
We Are Infinite: Confronting High School Simulacra in Stephen Chbosky’s The Perks of Being a Wallflower, Michayla N. Lehman
Capitalistic Christians and Educated Elites: Fanonian Theory and Neo-Colonialism in Ngugi Wa Thiong’o’s A Grain of Wheat, Rebecca Miller
A New Approach: The Feminist Musicology Studies of Susan McClary and Marcia J. Citron, Kimberly Reitsma
"A Generation That Didn't Agree": The Paramountcy of Multidimensional Moral Hierarchy in the System of a Down Discography, Jesse A. Silk
The Effects of a Pre-workout Supplement on Collegiate Track Athletes' Sub-max Bench Press, Hannah Stroud-Lusk, Valerie Kirk, Jo Sharp, and David Lenhardt
Submissions from 2013
The Heroic Fallacy: Orson Scott Card’s Ender’s Game and the Young Adult Reader, Shawn L. Buice
Orual's Quest for Identity: C.S. Lewis's Till We Have Faces in 1950s British Society, Cora Gray
A New Masculinity for a New Millennium: Gender and Technology in David Fincher’s The Social Network, Danielle McDonald
“Ravaged by Time”: The Effects of the Past and Future on the Present in The Glass Menagerie, Lauren R. Moore
Life of Pi: Perspectives on Truth, Sarah Morse
“I’m not lost anymore:” Hyperreal Self-Realization amidst Hostile Father-Son Relationships in Lunar Park, John Michael Mumme
Russian-Jewish Art Music: The Voice of a People, DeLora J. Neuschwander
Postmodern Madness in Tim Burton’s Alice in Wonderland: “A mad, crazy, wonderful idea”, Kara L. Pernicano
“Take the Power Back”: Rage Against the Machine’s Representative Voice for American Anti-Capitalism, James T. Sandberg
The Effects of Young Caregiving in Debra Granik’s Winter’s Bone, Natalie V. Youngquist
Submissions from 2012
Amy Beach: Tenacious Spirit, Ariel Foshay Bacon
The Role of Harmonic and Formal Elements as They Relate to Performance Practices in Chopin's Ballade No. 3 in A-Flat Major, Op. 47, Zachary James
“First they built the roads”: The Automobile Agent in Arcade Fire’s The Suburbs, Kimberly Prijatel
Guido of Arezzo and His Influence on Music Learning, Anna J. Reisenweaver
Waste, Wasting, Wasted: Repercussions of Simulations on the American Family in Tracy Letts’s August: Osage County, Kate Soules
Submissions from 2011
The Fantasy of the Real: J.R.R. Tolkien, Modernism, and Postmodernism, Hannah Brady
Barbery’s The Elegance of the Hedgehog: A Lens for the American Assimilation of Buddhism, Kate Brewer
“Look Back at Me”: North and South and the Two-faced Neo-Victorian Gaze, Julie Ellen Pickens
“Playing Like a Man”: The Struggle of Black Women in Jazz and the Feminist Movement, Katherine Soules
Submissions from 2010
Porgy and Bess: A Racial Paradox, Carolyn Deemer
The Grotesque Gospel of Buechner’s Godric, Emily Burris Geary
Women and Worship Ministry: Contemporary Opportunities and Challenges, Nicole Johnson
Conservative Radical: Martin Luther’s Influence on Congregational Singing, Jonathan Knight
Music as Therapy: Treating the Effects of Alzheimer’s Disease, Christina Sidaras
Submissions from 2005
Memories, Moments and Miracles as a Source of Hope in John Cheever's Falconer, Adam Drent
"On and On" until "All Out": Seeking Silence within the Postmodern Paradigm of Samuel Beckett, Rachel Ganong
Failing to Connect: Dialogue and Love in E.M. Forster's The Life to Come, Joshua Sanborn
Witches Among Us: Elizabeth George Speare's Social Commentary on McCarthyism in The Witch of Blackbird Pond, Libby Shortt
Social Construction in Les Miserables: A Look at Jean Valjean's Identity Formation in the Context of Symbolic Interactionism's Labeling Theory, Joy VanBuskirk
To Warm the Anawim: Radical Feminism, American Culture, Judeo-Christian Traditions, and Incest, Cynthia R. Wallace
