Publication Date
5-2-2023
Document Type
Article
Keywords
Music of the Spheres, music, ancient, God, Greek, philosophy, planets, heavens, creation, order, intelligent, design, concept, system, natural, intervals, ratios, pitch, overtone series, circle of fifths
Abstract
Ancient Greek philosophers conceived a theory called Music of the Spheres. This ancient theory progressed for almost one thousand years before finally proving itself untrustworthy. However, this examination uncovers an overlooked fact: the large amount of natural order in sound and music existing before the creation of man. Scripture reveals that God is a God of order, and an extensive amount of natural order is found in the universe. Evidence points to God being the creator of the universe. Specific examples of such evidence are the inherent order of sound laid out in pitches, interval ratios, the overtone series, the circle of fifths, and the effect of consonance and dissonance. The structure of music from the ground up reveals a pre-existing model that man developed and turned into music. Man harnessed natural components of sound to create music full of emotion and reaction. Though scientifically inaccurate, Music of the Spheres offers a pathway to discover that music, as a concept and system, exhibits God as the intelligent designer.
Volume
14
Issue
1
Article Number
2
First Page
27
Last Page
38
DOI
10.15385/jmo.2023.14.1.2
Recommended Citation
Lauer, Joanna R.
(2023)
"Singing Planets Don't Sing; They Speak,"
Musical Offerings: Vol. 14:
No.
1, Article 2.
DOI: 10.15385/jmo.2023.14.1.2
Available at:
https://digitalcommons.cedarville.edu/musicalofferings/vol14/iss1/2
Creative Commons License
This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License.
Disclaimer
DigitalCommons@Cedarville provides a publication platform for fully open access journals, which means that all articles are available on the Internet to all users immediately upon publication. However, the opinions and sentiments expressed by the authors of articles published in our journals do not necessarily indicate the endorsement or reflect the views of DigitalCommons@Cedarville, the Centennial Library, or Cedarville University and its employees. The authors are solely responsible for the content of their work. Please address questions to dc@cedarville.edu.
Included in
Ethnomusicology Commons, Fine Arts Commons, Musicology Commons, Music Performance Commons, Music Theory Commons