Music and Worship Student Publications

Music and Worship Student Publications

 

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Submissions from 2017

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From Silence to Golden: The Slow Integration of Instruments into Christian Worship, Jonathan M. Lyons

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A Blend of Traditions: The Lute’s Influence on Seventeenth-Century Harpsichord Repertoire, Audrey S. Rutt

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Music and the Mind: Music's Healing Powers, Carolyn S. Ticker

Submissions from 2016

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It's Instrumental, My Dear Watson: A Collective Investigation of Early Instrumental Practices, Jillissa A. Brummel, Nate Chester, Joshua Drake, Janelle Finley, Josiah D. Keith, Jonathan Lyons, Sarah R. Plumley, Kirsten Saur, and Rachel Stevenson

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Birth of the Pipes: The Organ from its Beginnings Through the Baroque Era, Joshua D. Drake

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From Bows to Sound-Chests: Tracing the Ancestry of the Violin, Janelle R. Finley

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Casting the Bigger Shadow: The Methods and Business of Petrucci vs. Attaingnant, Sean A. Kisch

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Cream-Colored Sticky Note, Deborah Longenecker

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From "Hopeless" to "Healed", Deborah Longenecker

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Coursing with Coils: The Only Orchestral Instrument Harder Than the French Horn, Sarah R. Plumley

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Rhetorical Analysis, Eleanor G. Raquet

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The Problem with Creative Writing, Robert B. Rhodes Jr.

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The Interwoven Evolution of the Early Keyboard and Baroque Culture, Rachel Stevenson

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The Effect of Richard Wagner's Music and Beliefs on Hitler's Ideology, Carolyn S. Ticker

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The Misrepresented American?, Sophia Zervas

Submissions from 2015

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He Started the Whole World Singing a Song, Brian R. Cates

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Expression Surpassing Words: Gorecki’s Symphony No. 3, Op. 36 “Sorrowful Songs”, Alyssa K. Griffith

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Give My Regards to the Book, Kevin A. Hicks

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Oral Transmission: A Marriage of Music, Language, Tradition, and Culture, Emma E. Patterson

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Development and Dissemination: Deliberations on Spanish Renaissance Music, Lindsey E. Pfeifer

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Ruling the Market: How Venice Dominated the Early Music Printing World, Elizabeth M. Poore

Submissions from 2014

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Sing to the Lord a New Song: John Calvin and the Spiritual Discipline of Metrical Psalmody, Brandon J. Bellanti

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Learning to Play: Cognitive and Physical Development of Children and the Requirements of Playing the Piano, Amy Carmichael

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Born to Conquer: The Fortepiano’s Revolution of Keyboard Technique and Style, Rachel A. Lowrance

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A New Approach: The Feminist Musicology Studies of Susan McClary and Marcia J. Citron, Kimberly Reitsma

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Ancient Worship Wars: An Investigation of Conflict in Church Music History, Michael J. Wood

Submissions from 2013

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Three Kings and the Bright Star of Fame, Emalyn J. Bullis

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On the Power of Music: Using 'Cosmos' and 'Anthropos' to Articulate a Holistic Approach to Discussing the Power of Music, Brian R. Cates

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Instruction, Devotion, and Affection: Three Roles of Bach’s Well-Tempered Clavier, Rachel A. Lowrance

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A Bridge over Troubled Water: Le tombeau de Couperin, Anne Morris

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Altered but Not Silenced: How Shostakovich Retained His Voice as an Artist despite the Demands of a Dictator, Hope R. Strayer

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From Neumes to Notes: The Evolution of Music Notation, Hope R. Strayer

Submissions from 2012

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William Byrd: Political and Recusant Composer, Ariel Foshay Bacon

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William Byrd: Political and Recusant Composer, Ariel Foshay Bacon

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A Walk Through an American Classic, Emma Gage

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Sacred German Music in the Thirty Years’ War, Brandi Hoffer

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The Influence of the Unaccompanied Bach Suites, Meredith Lawrence

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Béla Bartók: The Father of Ethnomusicology, David Taylor Nelson

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Music in the Third Reich, DeLora J. Neuschwander

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Guido of Arezzo and His Influence on Music Learning, Anna J. Reisenweaver

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Improvisation: Performer as Co-composer, Kyle Schick

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Improvisation: Performer as Co-composer, Kyle Schick

Submissions from 2011

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The Theory of Silence, David R. Kauffman

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From Mozart to Lookout: The Flute’s Evolution from 1800, Anna J. Reisenweaver

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The Development of the Flute as a Solo Instrument from the Medieval to the Baroque Era, Anna J. Reisenweaver

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Così fan tutte: Brilliance or Buffoonery?, Sarah Whitfield

Submissions from 2010

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The Rhetoric of the Troubadours, Mary C. Abraham

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The Journey of the Song Cycle: From “The Iliad” to “American Idiot", Katrina Gingerich

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Dance and Its Importance in Bach’s Suites for Solo Cello, Audrey Hebson

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Conservative Radical: Martin Luther’s Influence on Congregational Singing, Jonathan T. Knight

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Sing On, Ntsikana: The Story of Christian Music among the Xhosa People of South Africa, Jonathan T. Knight

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Music: Its Expressive Power and Moral Significance, Sarah Whitfield