Volume 9, Number 1, Spring 2018

On the cover: Detail of Grünewald’s Isenheim Altarpiece (1516), on which Paul Hindemith based his Mathis der Maler (1934). The “Engelkonzert” panel depicts a concert of angels celebrating the nativity and the mysteries of the Incarnation. The altarpiece is presently housed in the Musée Unterlinden in Colmar, France. Image is public domain.

Issue DOI: https://doi.org/10.15385/jmo.2018.9.1